Friday, December 16, 2011

Signs of Life: Photographs by Peter Sekaer

if you're poking around times sq., looking for something to do while waiting to go to dinner or a broadway show on a friday night*, you could do a lot worse than going to see the current exhibition:

Signs of Life: Photographs by Peter Sekaer

at the international center for photography (ICP), 44th and Ave. of the Americas.

sekaer was a dutch immigrant, a contemporary/student/friend of walker evans, who specialized in photographing "ghettos" and other communities of the lower economic classes while, like evans, working for the wpa. one thing i love about his work is something i'm often attracted to in mine: signage (thus the title of the exhibition). i had never heard of him, but his photos brim with a real appreciation for the humanity of his subjects. there's no condescension or flattery, and yet it's much more than mere documentation. not to be missed.

btw, while you're there, there's a funny show of fashion photos just of the sekaer show (julianne moore: va-va-voom!), and a huge multimedia presentation of images around 9/11.

check it out.

*or you could actually go at another time and pay full admission price.

Friday, December 9, 2011

What's in an Image?


July_10__200909.jpg, originally uploaded by regi metcalf.
this morning i discovered an invitation to join a flickr group dedicated to christians. i'm not sure which of my images drew their interest, possibly it was this one, but i can't be sure. after looking over the group forum, i decided to decline the invitation (despite my desperate desire to find someone that wants me and/or my photos). but the forums put me off: one thread was little more than a tiresome flame war between a believer and an atheist over whether the latter can have morals free of god, another thread was posts of pictures of people (mostly women) they consider beautiful(?!). ultimately, i guess, i didn't join because it would have felt something like joining a church where i don't actually share the beliefs of other members.

but, that aside, i do find that i return to christian iconography in my photos more than might be expected of a non-christian (indeed, an atheist). but it's really not much of a surprise: i do live in america after all (surely the most religious, western, non-latin country on the planet); while i didn't grow up religious myself, i was naturally surrounded by african-american culture (in turn, one of the most religious segments of american society); and i've always been interested in religion, mythology, philosophy, theology, etc. and their relationships to expressions of transcendence and art. that's part of the impulse that led to the photo above. it's not that i "believe" in whatever the photo might inspire in a believer (i don't even know for sure what that might be), but it says something to me about archetypes, symbolism and transcendent experiences. i confess that i don't know enough about christian or lunar (pagan?) symbology to read the photo as anything but a (to me) intriguing accident, and, for me, that's enough.

re my previous post about the "PPL OF COLOR" project: i had an email exchange with the project guy. after looking at my flickr stream, he suggested that my photos from the mermaid parade might be appropriate (i can only assume it's because most of the people seem to be of european descent). i told him that there was nothing particular to "whiteness" (again, whatever that is) about them to me. i also said that part of what makes the project interesting is the problem of figuring out how to photograph "whiteness". his reply was essentially to tell me that i was overthinking the whole thing (guilty!) and that he hoped maybe i would go down to OWS and take photos of "white" people involved in the movement. i hope it's needless to say that i found that idea unappealing: ie, point my camera at people who are probably of european descent and label (accuse?) them "white". no, thanks. (after all, i wouldn't be very comfortable with someone pointing a camera a me for the purpose of labelling me "black") i'd be a bit more comfortable if they call themselves "white", but i'm still trying to figure out if i've got the nerve to see who wants to do that.

Tuesday, December 6, 2011

Photography Projects

while perusing the "artists" section of craigslist i came across an ad posted by a photographer named Vincent Lee Smith. mr. smith is looking for submissions to his website, PPL OF COLOR. interestingly, he is not looking for pictures of people of ethnic minorities, as his title implies. rather he's looking for photographers to "take a series of photographs that will in some way answer one question: 'What does it mean to be 'White' in America?'" while he proposes his project in a succinct and straightforward manner, mr. smith, perhaps unwittingly, describes it as "pretty simple." seriously.

coming up with a photo project of some kind of my own has been a real struggle for me. i can think of dozens of things i want to photograph, but actually forcing myself to do all the logistical, technical, emotional work of beginning any of these ideas has so far not been forthcoming. but i think i will hop a ride on mr. smith's train. it could be a very interesting and provocative collaboration with other photographers that might go in any number of conceivable and unforeseeable directions. and it raises a lot of issues: for one thing, is it possible for photographs to "answer" such a question? what does being "white" mean, anyway? what does it mean for ME (a man of african american descent) to approach such a question photographically? what's it like to try to deal with this topic in nyc as opposed to elsewhere in america? the mind reels!

wish me luck...

Friday, December 2, 2011

Graceful


December_26__201001.jpg, originally uploaded by regi metcalf.
So* I occasionally enter these photo contests* hoping to get more people to look at my photos and maybe say something about them*. In this particular case, there's a site called "Photo Friday" where you post images that you feel go with the week's theme. This week's theme is "graceful" and I thought it would be clever* to offer this photo I took at a Cleveland Cavs game* from last winter. Most of the other shots seemed to me to be more predictably "graceful": ballerinas (and other dancer-types), swans, beautiful sculptures, etc. My thought was that this photo captures something of the combined grace and power of athletics.
*is it me or do more and more people begin utterances with "so..." these days?
*are these really contests, proper speaking? there aren't any prizes so far as i know, just the "pride" of getting more "likes" or some other anonymous approval more than other entrants
* :~/
*too clever?
*they lost, natch'

Wednesday, August 24, 2011

Lensbaby, baby! (Another Shooting STARS Shoot)


August_21__201108.jpg, originally uploaded by regi metcalf.
Had real run-and-gun experience shooting a couple of models on the Highline on the west side of Manhattan Sunday morning. After we started I realized that I wouldn't be able to take my time and get the kind of shots I had envisioned–the logistics were just too ad hoc: two shooters for every model and nobody to hold my diffuser/reflector. So rather than try to "compete" with the other photogs who I know had better gear and, probably, better technique than mine, I pulled out my Lensbaby. I figured this way, I was sure to get the kind of effect nobody else was going to get. And I was right.